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Tarfumes.com - The Godfather (1972 Film)

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List Price: $13.98
Our Price: $12.99
Your Save: $ 0.99 ( 7% )
Availability: Usually ships in 1 to 2 days
Manufacturer: Mca
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Average Customer Rating:     

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Binding: Audio CD EAN: 0008811023126 Format: Soundtrack Label: Mca Manufacturer: Mca Number Of Discs: 1 Publisher: Mca Release Date: 1991-03-26 Studio: Mca
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Editorial Reviews:
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When director Francis Ford Coppola turned novelist Mario Puzo's pulpy The Godfather into one of the greatest accomplishments of modern American cinema in 1972, one of his shrewdest decisions was to hand the scoring assignment to the great Italian film composer Nino Rota. Rota, who had built his reputation alongside Fellini (though he'd already scored some three dozen films in the previous 20 years), brought Neopolitan jazz stylings and a Sicilian melodic sensibilty (characterized perfectly by the main title's mournful solo trumpet, which has since become a cinematic icon) to a story of corruption and betrayal as American as, well, gnocchi. Listening to this masterful score one can't help but wonder what Rota, who died in 1979) might have accomplished had he begun working with Hollywood's resources a decade earlier. --Jerry McCulley
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Spotlight customer reviews:
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Customer Rating:      Summary: Listening music Comment: Just as the Godfather films are great so is the music. The music is enjoyable as well as relaxing. If you like just listening music I highly recommend this cd and the others to Godfather 2 and 3 films.
Customer Rating:      Summary: Speak Softly Love ..... Comment: The soundtrack to Coppola's 1972 Godfather can bring you back to the period piece that made Brando, Pacino, and De Niro bona fide stars whose longevity is unquestionable. It's the Sicilian inspired love theme (written By Andy Williams) whose cords still provoke the film stills of Michael Corleone's wedding to his first wife Apollonia that takes your breath away. Whether instrumental or sung .... it's haunting strains are a vivid connection to the movie for anyone who has seen it. It is especially haunting because the music was played as a wedding song for Michael and Apollonia in Italy but NOT for Michael and Kay back in New York, which is telling given how Apollonia's memory seemed to cast a shadow long after her tragic death.
I would highly recommend purchasing this soundtrack along with that for 1988's Cinema Paradiso which has a Sicilian-inspired sound to it too. Both play upon the theme of love lost forever and leaving the country of its happenings as the only way to forget, as Toto was just as haunted by Elena as Michael with Apollonia.
Speak softly, love and hold me warm against your heart
I feel your words, the tender trembling moments start
We're in a world, our very own
Sharing a love that only few have ever known
Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all because
You came into my world with love so softly love
Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all becau-au-se
You came into my world with love so softly love
Customer Rating:      Summary: OUTSTANDING!! Comment: If you like the movies, you'll love this soundtrack! All of your favorite melodies just hit the spot!!
Customer Rating:      Summary: Relive the film Comment: To appreciate this soundtrack fully it is essential to have seen and enjoyed the film although the music is haunting in its own right. Yes, the CD is only just over an half hour in length but quantity is compensated for by quality. The music perfectly captures the moodiness of the film and its period. Buy this CD and you will not be disappointed. It is a low price to pay for owning a 'cut' of movie history - it will be timeless for you.
Customer Rating:      Summary: Classic film score brings me back to ancestral roots Comment: Last night my wife & I happened to watch The Godfather on Bravo and the music was the element that really captivated me. When I first saw this movie, I was 9 years old in 1972, on a family vacation, and my very conservative 2nd generation Italian-American parents, completely unaware of the subject matter of the film, thought this an excellent film for the family to watch... Yet, looking back, and feeling the loss of grandparents, great aunts and uncles, the diaspora across America of my first and second cousins, lost in the melting pot, the score for the Godfather reminds me of a time of my own innocence, of a time when large family gatherings were the norm, when every Sunday evening meant hour long haircuts by my 85 year old grandfather and delicious Italian meals cooked by my 70 year old great aunt. It took a long time to accept the loss of family as one by one that generation died off in the 1970's, to realize that life was not going to be a cocoon of large, warm, loving family relations. Yet, way back in 1972, this magnificent, mournful music presaged that tragic realization that life in America was no longer going to be so cozy for those who choose complete assimilation into the melting pot. The fictional Corleone family were Sicilian; my own were Neapolitan & Barese, but for anyone of southern Italian heritage, whether on the mainland or Sicily there is a chill of genetic resonance and recognition when you hear Rota's haunting mix of Neapolitan & Sicilian sounds and rhythms. It's the motherland calling, the soul yearning, ignorant of the original grievances that caused the rift that sent whole communities and solo immigrants to the shore of a new world that was often no warmer a welcome mat than the hidebound, superstitious and vendetta-plagued hilltop farming communities they sought to escape from. Tears of what...joy? or tears of sorrow demand to be exuded from my being when I hear this film score, crying for a warm, fuzzy fantasy of youth, yes, but one that did indeed contain the seeds of my being, and the cocoon of loving family that sheltered me in my growing years. Let me call these tears of joy and appreciation for Francis Ford Coppola and Nino Rota for awakening in me the dormant love of an ancient homeland with many faults, but big enough to give birth to those who gave life to me.
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