|
|
Tarfumes.com - ( )

|
List Price: $13.98
Our Price: $13.98
Availability: Usually ships in 24 hours
Manufacturer: Mca
|
Average Customer Rating:     

|
|
Binding: Audio CD EAN: 0088113091214 Label: Mca Manufacturer: Mca Number Of Discs: 1 Publisher: Mca Release Date: 2002-10-29 Studio: Mca
|
|
|
|
|
|
Editorial Reviews:
|
Are Iceland’s Sigur Rós the saviors of 21st-century rock or true heirs to the silk-robed-and-platform-booted, pompous progressive rock of the '70s? On their third album (first for a major label), they are a little bit of both. The group continues to mix the most interesting aspects of U2 (the anthem), Low (the maximalist slow-mo thing), Radiohead (the utter lack of irony in the quest to make meaningful art for stadium crowds), and My Bloody Valentine (guitar as texture), while not sounding like anyone else on this planet. The average song length on the eight untitled tracks is eight minutes, with cascades of moaning, bowed guitars colliding with low-end keyboards while the lovely, alien-registered vocals of singer Jónsi float on top. Dynamics are employed spectacularly, but half of the album is spooky soundtrack music that never really goes anywhere. However, the actual songs on Two Sausages Kissing (or whatever you want to call it)--the third, sixth, eighth, and especially fourth tracks--are mind-blowers, spectacularly worth the price of admission. If they just stopped trying to reinvent the wheel all the time, Sigur Rós could really be a band for the ages. --Mike McGonigal
|
|
|
Spotlight customer reviews:
|
Customer Rating:      Summary: Theropy Comment: I was first introduced to this group by the brilliant final scene in the movie, "Vanilla Sky," where the main character makes the decision to "jump" back into the real imperfect world from his taintedly-perfectly-fake-dreamworld he had been living in, and track 4 (my favorite) plays as it shows seemingly-misc flashbacks from humanity's past as he bails downwards off of a skyscraper heading like a missle for the concrete below, hell every time I see that scene I break down in tears. But that's what this album is, tear-therapy, if you want to examine the emotions within you beneath the surface and feel that you need a good cry, put on this cd. I might venture so far as to say it's especially therapuetic for survivors of abuse or those with PTSD, people deciding to or having already quit the government's drugs, and that sort of ilk out there.
Hopefully my review puts it in perspective as to why nowhere near everyone will cherish this kind of music. I'm a musician who has mastered the art for over a decade now but I've learned musicianship isn't about playing lightning-fast scales blazing up & down the keyboard or frets, that has it's place and all and I can do it but let's be honest, it's show-offmanship mainly used to dazzle audiences without much lingering affect in their souls. I've learned that music is more about what it can bring out in YOU the listner, and this cd will take you places within yourself in a real way. Thanks to this cd and some others I've found recently, psychotherapy is no longer necessary: "And how does that make you feeeeel?" It makes me feel like I need to put on some Sigur Ros and Sevin, doc, now please excuse me whilst from whenceto-heretoforth I find my headphones and take a nature walk far from your planet :)
Customer Rating:      Summary: Set the controls for the heart of ... Iceland? Comment: The material on this CD is some of thier sparser, slower-tempo, morose, moody, darker material compared to, say, Takk. As such, this CD requires a few more listens to get under your skin. Some of the tracks, such as four, and eight, have a prog- space-rock vibe going, languishing at a slow burn, evocative of early-seventies Pink Floyd or OK Computer/Kid A -era Radiohead.
This CD does lack the warmth and emotion, again, found on Takk, but if you prefer atmosphere and mystery, then this album has lots of it.
Customer Rating:      Summary: Beyond Music Comment: I can't write enough on how truly beautiful their music is. Every minute is a masterpiece. Untitled 4 is hauntingly gorgeous and even though none of the songs have lyrics, you feel like their music is speaking directly to you. Their music is an experience with every listen--it blows me away everyday.
Customer Rating:      Summary: Music for mosquitos Comment: I became interested in Sigur Ros () after finding a YouTube video segment of a live performance of Track 7. I wish that I had not spent money on this album.
The first few tracks really set the tone for the album. Music for mosquitos, with Asian influences. As is noted by other reviewers, the lead singer repeats a nonsense word/phrase over and over, throughout the album. The music is conventional and droning. The first tracks contain something that is very reminiscent of a mosquito buzzing my ear while I try to sleep. This has more in common with jazz than rock, more like what a rock band might do if they had to fill an hour jam session with atmospheric stuff.
This isn't electronic, its too annoying to be ambient, and has too much conventional rock to be "post-rock." I recommend Debussy's Jeaux, and Jean-Michel Jarre's Zoolook to this. (Right now I'm listening to Corsican Chant to get this out of my head.)
Customer Rating:      Summary: Ros at their 100% minimalist best Comment: This is one of my most favorite albums of all time.To those who are saying that it's not innovative,well it is and it isn't;what truly IS innovative these days? most everything's been done by now from steve roach to gg allin.it's hard to do.the sad thing is that this album seems to have gotten so much publicity from all the wrong places--this isn't the type of music anyone can just dive into because gweneth paltro or whoever else in hollywood or otherwise likes it.this is music that requires the listener to take the time to sit down and experience it from an asthetic viewpoint:it's not fast-food pop music.if you have a receptive attitude towards it you'll probably like it.
compared to ros' other albums () is a head above the rest because it has a perfect continuity from start to finish,like classic albums from the past had such as dark side of the moon,relayer,harvest,etc.the other ros albums are too jarring in transitions from song-to-song in my opinion,and that takes away from the experience of going to another mindset.
i can't wait for the day sigur ros make a 60+minute,one track/one song opus...it's bound to happen!
|
|
|
|
|
|
|
include("/rightadmenu.txt"); ?>
|