|
|
Tarfumes.com - Herbert von Karajan: Beethoven - Missa Solemnis in D Major, Op. 123
|
List Price: $29.98
Our Price: $19.97
Your Save: $ 10.01 ( 33% )
Availability: Usually ships in 1 to 2 days
Manufacturer: Deutsche Grammophon
|
Average Customer Rating:  
|
|
Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0044007343913
Format: Classical
Label: Deutsche Grammophon
Manufacturer: Deutsche Grammophon
Number Of Discs: 1
Number Of Items: 1
Publisher: Deutsche Grammophon
Region Code: 0
Release Date: 2008-04-08
Running Time: 83
Studio: Deutsche Grammophon
Theatrical Release Date: 1990
|
|
|
|
|
|
Editorial Reviews:
|
Conductor, director and artistic supervisior Herbert von Karajan leads the Berlin Philharmonic and the Vienna Singing Society in the Missa Solemnis by Ludwig van Beethoven. This performance from a live production at the Easter Festival in Salzburg in 1979 features a superb quartet of soloists including Anna Tomowa-Sintow, Ruza Baldani, Eric Tappy, and José van Dam. The Missa Solemnis op. 79, one of the most important masses, is scored for an orchestra and organ, together with four solo singers and chorus and has a highly dramatic, symphonic style. The Missa Solemnis was first performed in St. Petersburg in April 1824, under the musical supervision and financial support of Prince Nikolai Galitzin. The complexity of the fugues, the frequent counterpoint between the quartet of soloists, the choir and the different sections of the orchestra, and the sheer length of the piece (over an hour and a half) make it a huge challenge to perform. "Karajan's view of the Missa Solemnis shows a remarkable consistency."--New Hi-Fi Sound "...powerful, moving, uplifting and one of the great masterpieces of Beethoven..."--New Hi-Fi Sound
|
|
|
Spotlight customer reviews:
|
Customer Rating:
Summary: An adequate, but not outstanding, performance
Comment: Full disclosure: I prefer dramatic choral works performed with a full range of tempi, with singing devoted to pitch accuracy, rather than excessive vibrato and overly dramatic arrivals at the correct pitch. With these biases in mind, I was disappointed in this performance. Overall, the musical performance is good, and the recording and videography are both excellent. However, the slower movements (Kyrie, Sanctus, and Benedictus) are performed at a faster tempo than I prefer, and, in my opinion, lose much of their potentially-excruciating beauty as a result. I also did not enjoy the performances of the soprano and tenor soloists, who in my opinion brought operatic excess to parts that sound better when performed with less vibrato and greater accuracy in intonation. I guess I'll just continue to listen to my Robert Shaw CD.
Customer Rating:
Summary: Monumental Missa beautifully played and filmed
Comment: Herbert von Karajan was a fine choral conductor and nowhere is that more evident than in this DVD recording made from an Easter 1979 television broadcast of Beethoven's massive Missa Solemnis in D Major, Op. 123. Along with Bach's great Mass in B Minor, this is the finest musical setting of the traditional Catholic Mass. Beethoven spent some five years in its composition, and in a staggering manifestation of his genius, wrote it whilst simultaneously composing the titanic Symphony No. 9 in D minor, Op. 125. Beethoven was totally deaf by this time and both works contain problematic passages that are difficult to make sound properly, especially some of the vocal parts that are written in an unusually high tessitura. Karajan handles these difficulties with relative ease, smoothing over any vocal problems, presenting a monumental old-style performance of great power and fierce emotional impact.
With vocal and instrumental forces numbering some 200 or so, no claims of authenticity are offered. This is as traditional a performance as you can imagine. Its effectiveness lies in its perfection. Karajan conceives this Mass as a manifestation of Beethoven's inner religious musing, thus giving the slow movements a ruminative quality of inner-directed bliss and matchless sublimity. The more outgoing movements, with their mighty fugal utterances, are offered as a vast musical edifice proving Beethoven's secure mastery of Baroque contrapuntal musical structures. Never was Beethoven's greatness as a composer more evident than in his final works: with their blend of sui generis originality and the composer's self revealing vulnerability, they are utterly unique in musical history.
Karajan, the Berliner Philharmoniker, the Wiener Singverein and the four splendid soloists provide a superb blend of power and insight in this wonderful performance. The Gloria is earth-shattering in its mighty shout of praise. The Credo sure and certain in its statement of belief. The Sanctus is quiet and softly probing in its examination of faith, with a Benedictus that is utterly sublime in its beauty. The Agnus Dei and final Dona Nobis Pacem famously end the Mass with a question mark regarding humanity's fate, a psychic scar bequeathed by the recently terminated Napoleonic Wars. Karajan provides each movement with its proper interpretation, giving the Mass an inevitabilty Beethoven himself would have appreciated. This is an exemplary performance.
The film looks good for its age with only some slight ghosting. Sound in PCM stereo and DTS 5.1 is clear and full. The disc lasts 84 minutes.
A magnificent traditional performance that is strongly recommended.
Mike Birman
|
|
|
|
|
|
|
|
|
